During a photographic residency in Royan, France I build a work between teenagers’s portraits and landscapes from their territory. At the opposite of adult’s vision of youth I decided to show them in a more concerned way. At the exhibition, all portraits and landscapes were shown. My goal was to figure how our time can be hard even for them.

Régis Feugère sta costruendo un mondo improbable, ai limiti della percezione, mettendo costantemente in dubbio i nostri codici visuali. Possiamo precepire la ricchezza di riferimenti all’interno del suo lavoro: dal Romanticismo alle Avanguardie, il cui punto focale surrealistico rimane distante, mentre l’elementarietà così prossima a Moholy Nagy, mi sembra avvicinarsi di più alle reali intenzioni di Régis Feugère.L’artista mette in gioco con grande precisione le differenti tendenze della storia della fotografia, entro i limiti dell’insorgenza e dell’equilibrio tra luce e ombra.

Régis Feugère is building an improbable world, on the edge of perception, constantly questioning our codes of vision. We can perceive how much his work is rich in reference: from Romantism to the Avant-Gardes, the surrealistic focus points of which remain distant, whereas the elementarity so near to Moholy Nagy appear to me to be closer to Régis Feugère’s real options. The artist calls into play with great precision the different trends in historical photography, within the limits of onset and the balance between shadow and light.

Anna